- Mico- Good Will Hunting
- Know the character and his emotions
- Defy expectations (Yale)
- Chip on shoulder, complex
- War, intelligence, manhood
- Witnessed a lot of tragedy
- Connect to person he's talking to because sees himself in him
- Pushing/pulling- physically and then emotionally
- "Short" complex
- Rodrigo- The Walking Dead
- Rocking back and forth
- Repeated stepping
- Angry but powerful
- Talking to someone else helped- in his face
- Experience the feeling of two guys (back-up) behind him
- People holding his legs
- Who are you talking to? How do you feel about them?
- Jessica- Colorado (Tracey)
- Whole body movement- prissy
- Not syncopated movement
- Really good voice change
- Choreographed- DON'T do that
- Practice different ways you'd never actually perform it
- Diana- Blow (George)
- Amazing!
- Pauses, facial expressions, voice
- Hold back your real emotions
- Show what's in your face with your body
- Anna- Curse of the Pharoah's Kiss (Veronica)
- Locked up/stiff
- What are you trying to accomplish?
- Deliver how you would to a really handsome guy (ants in your pants)
- Layer with insecurity
- Like having sex with him with your words
- Kat- Like Dreaming, Only Backwards
- Nervous energy- good for character
- In pain (suicidal)
- Doesn't like herself
- Work into it
- Rub hips, move up
- Beginning, middle, end
- This it he way it is, this is it/the end
- Pain in voice
- Lizette- Hairsylist (Sarah) (original)
- SO funny!
- Amazing pauses, movements, facial expressions
- Good job taking her time with movement in between lines
- Portray it even more in your body
- Good unsettling
- Hands are useful (hands to ear)
Notes
- Roll on the floor or do jumping jacks while saying your monologue to practice
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