Saturday, December 19, 2015

Class (Final) 12/17

Monologues

  • Monica
    • Emphasize "fucking"- it's there for a reason
  • Anna- Supernatural (Dean)
    • Rigid
    • Keeps looking up
    • Keep the person you're talking to in one place
    • Take your time
  • Maddie- Special Days, Still Life
    • Good dramatic beginning
    • So good and emotional
    • Almost crying but not
    • Can she not move?
  • Larissa- Anne of a Thousand Days
    • On trial
    • Using scarf as prop in her lap
    • Rocking back and forth?
    • Scary
    • Good standing up and getting mad
  • Itzel- Simply Maria
    • Good facial expression
    • Locked in by words- focus on emotion/story
  • Alexis- Far From the Madding Crowd
    • Amazing progressive hand/arm movements- playing with hands then sweater
    • Came in and was on his knees so she changed from laughter to serious 
  • Autumn- Brighton Beach Memoirs
    • Good voice, emotion
    • Husband died early
    • Dramatic, deep
    • Starts to cry at end
    • Siting, turned to side, then turn to center
  • Carter- The Laramie Project (Andrew)
    • Amazing costume, gets him into character, straight thuggin'
    • Good chill, sitting backwards in chair, maybe move around
Reading
  • Larissa
    • Vampire
    • Girly girl
    • Make her quirky
  • Erin- Dreams in Captivity
    • Love, married couple
    • Retirement home
Scenes
  • Anna & Lizette- Uncommon Woman
    • Anna still has same voice
    • Both a little stiff
    • Put a lot of work into it and we can tell
  • Lizette & Tabatha- Clutter for Two
    • Tabatha is so excited to clean 
    • Lizette is awesomely messy (hair at beginning)
    • Good friendship but strained- show both
  • Itzel & Carter
    • Tension at the beginning just sitting in bed
    • Itzel starts out soft and just bursts out yelling/sobbing- explosion
    • Holding her crying at the end- physicality of couple


Friday, December 18, 2015

Rose (The Woolgatherer- scene)

  • First reading- 12/8
    • Jesse- find your inner rude trucker and dial it back so you don't scare Rose
    • Me- wants him emotionally but not so much physically
    • Rose- literally crazy- work that angle
We didn't get to actually perform our scene because we ran out of time.

Friday, December 11, 2015

Scene 2: Rose (The Woolgatherer)




Scene from The Woolgatherer by William Mastrosimone (part of Scene 1) with Jesse Cassiani

Sunshine by William Mastrosimone

Sunshine is a stripper and she is the star of her strip club. Everyone knows her and she thinks she has it all. She runs into a stranger's house, saying that she's running from her abusive husband. That stranger is Nelson, a lonely paramedic. They fall in love after he becomes estranged from his wife and she chases him when he doesn't fall for her seductive tricks.

There were not any scenes or monologues that stood out to me particularly; they all seem to need context.

Callie (Stop Kiss- scene)

  • First read- 10/13
    • Add to make longer
    • Good starting with game
  • First performance- 10/29
    • NO HUFFING
    • Maddie's moving around (like she has ADHD) and I'm just trying to play the card game
    • Actually play a card game during the scene (realistic and flows better)
    • I'm timid and stoic and just want her to focus
    • Boring as is- need to jazz up the scene
    • Have to get up and move around at some point
  • Second performance- 12/1
    • Good characterization
    • Work on cues (faster, cut each other off when we're supposed to)
    • Maddie- doesn't cross arms until end when getting uncomfortable
    • Good comraderie
    • Little details- touch each other, look at each other
    • Need to show flirting side- underlying desire/confusion about liking girls
  • Third performance- 12/10
    • Awkward touches- trying to be touchy but didn't come off that way
    • Beginning and middle- they're good together (game and talking about George and Peter)
    • My monologue- cutting myself off and looking at her 
    • Show awkward not looking at her- look and look away

Thursday, December 10, 2015

Class 12/10

Scenes

  • Jesse & Jacob- Zoo Story
    • Jesse is maybe too silly?
    • Much better
    • Jacob- good character (+glasses and smile)
    • Good progression/arc
    • Characters are good but don't fit together
      • Not friends obviously, but need to work together
    • Not listening to each other
    • Good job taking notes from last time
  • Me & Maddie- Stop Kiss
    • Awkward touches- trying to be touchy but didn't come off that way
    • Beginning and middle- they're good together (game and talking about George and Peter)
    • My monologue- cutting myself off and looking at her 
    • Show awkward not looking at her- look and look away
  • Erin & Autumn- Stop Kiss
    • Erin said "dammit Callie" and she's Callie
    • Awkward hand hold
    • Way better at the end
    • Still have character elements in anger and other emotions
    • Don't not care, show caring and then anger in that 
Monologues
  • Erin- The Greatest Play Ever Written (Mrs. Craig)
    • Great beginning- energy
    • Great voice fluctuation
    • Like having a nervous breakdown (huffing)
    • Pacing once or twice
Reading
  • Alexis- Far From the Madding Crowd
    • Don't want to marry
    • Goodbye monologue
    • Very honest, layered
  • Kaitlyn- The Altruist (Sydney)
    • Fed up/anger
    • Build throughout
  • Maddie- Special Days, Still Life
    • Doctors
    • Louder with still powerful voice
    • Really good- no Maddie voice
    • Starting in middle of talking
  • Jacob- A Lie of the Mind
    • Same character as Nate in the scene
    • Brother with short fuse
    • Progression, energy is great
    • Frustration/angst
  • Tabatha & Lizette- Hot Mess
    • Dorm room that's a mess
    • Mixed in Spanish
  • Itzel & Carter- Still Alice
    • Telling her man (husband?) about her Alzeimers
    • Short but intense
    • Mostly Itzel talking

Tuesday, December 8, 2015

Class 12/8

Scenes

  • Tabatha & Jacob
    • Way better
    • Props would help
    • Good individual characterization
    • Act more like brother/sister
  • Siena & Diana- Stop Kiss
    • Siena's awkwardness is amazing and Diana's just like whatever
    • Good blocking
    • Catch her with her shirt off?
    • Can see Siena's character's internal monologue on her face
  • Itzel & Rodrigo- Barefoot in the Park
    • Good beginning (silent/doing own thing)
    • Good rise to anger
    • Rodrigo's deadpan
    • Not right time to put on robe
    • Throwing shoes seems random
    • She's roaming around
    • Angry- turning pages
    • Throwing magazine came out of nowhere
    • Divorce?? All of the sudden
  • Naz & Martha- Five Women Wearing the Same Dress
    • Good fidgeting
    • Naz- better- voice, character
    • Still doesn't really react to death- slow down
    • Good friendship
Reading
  • Martha- Ballistic
    • Eye ball exploded?
    • Filipino woman
    • Long?- cut it up a little
    • Married with kids
  • Autumn- Brighton Beach Memoirs
    • Pain- death
    • Doesn't want to be helpless
    • Mom- too old?
  • Liza- My Big Fat Greek Wedding (Toula)
    • Big family eating
    • Same voice as always?
    • Listing?
  • Carter
    • Great character ("know what I'm sayin")
    • "Dawg," "homie"
    • In prison- max ward
    • Auctioning off guys
  • Me & Jesse- The Woolgatherer
    • Jesse- find your inner rude trucker and dial it back so you don't scare Rose
    • Me- wants him emotionally but not so much physically
    • Rose- literally crazy- work that angle
Monologues
  • Larissa- Anne of a Thousand Days
    • Rocking (sitting) and playing with hands- good physicalization
    • Good shifts between loud/anger and quiet
    • Needs movements even though she's trapped sitting
    • Same character as always- deep, older, strong, etc.
  • Matt- The Gym Teacher
    • Amazing characterization
    • Doing stretches and push ups while talking
    • Great voice of authority
    • Good movements
    • Talking downt ot kids- jokes and inappropriate things

Saturday, December 5, 2015

Shivaree by William Mastrosimone

Chandler is a boy that has been sheltered by his mother for all of his life. He wants to get out of his mother's grasp; he is very smart by ignorant. Then he meets his neighbor named Shivaree who is a belly dancer. They fall in love and he sneaks out to see her because his mother doesn't approve.

There are a few good scenes between Chandler and Shivaree, and one monologue by Shivaree about her belly dancing.

Thursday, December 3, 2015

Class 12/3

Faustus

  • Captivating actors make a show
  • Don't try to get answers from it (don't try to understand)
  • Don't ask why, ask what
  • Like an abstract painting as a show
  • Invented in characters even if they aren't invested in the story
  • Try to see from one character's POV
  • Beautifully creating characters- not for the audience, just be in the moment on stage (not in the spotlight/main focus)
Monologues
  • Summer- Grey's Anatomy (Meredith Grey)
    • Huffing on "wife" and ends of sentences and in between lines
    • More energy at beginning
Reading
  • Maddie- 
    • Narcolepsy
    • Falls asleep and never wakes up
    • No Maddie voice
    • Turkey on Christmas
    • Type cast as quirky/cutesy
Scenes
  • Matt & Summer- DMV
    • People- like in the DMV
      • Crowds, annoying people
      • So that getting to the window is his salvation (but she's no better)
    • People getting in Matt's way
    • Me whispering story in Summer's ear
      • Sensual story she's immersed in (doesn't look up)
    • He needs to be more offended by her questions
  • Carter & Larissa- Fool for Love
    • DAMN
    • Carter- good stance, looks like a different person
    • Super developed characters
    • Larissa's crazy face
    • Taking real shots?!?
    • Can see him gripping her arm
    • Awkward getting her on bed
    • Throws her on bed and then she knees him in the balls
    • He threw a chair and knocked over the bottle
    • Burned him with a cigarette!
    • Good touching her and her reactions
    • So intimate
    • Great props
    • Good trashy outfit and belt buckle
  • Mico & Liza- Good People
    • Mico's face is great
    • Liza's story telling is amazing, as is her laugh
    • Realistic
    • She doesn't look at him?
    • Good scene for them
    • Good cutting each other off
    • Don't grab her so forcefully
    • Good switches between funny/loud/soft

Tuesday, December 1, 2015

Class 12/1

Scenes

  • Monica & Scarlett- A Coupla White Chicks Sitting Around Talking
    • Soooooo good (better)
    • Monica- great character, good accent
    • Good job working together
    • Choice getting mad
    • Scarlett- stiff, closed off (show that)
    • Think about what's keeping your character there
  • Me & Maddie- Stop Kiss
    • Good characterization
    • Work on cues (faster, cut each other off when we're supposed to)
    • Maddie- doesn't cross arms until end when getting uncomfortable
    • Good comraderie
    • Little details- touch each other, look at each other
    • Need to show flirting side- underlying desire/confusion about liking girls
Reading
  • Summer & Matt- DMV Tyrant
    • Helper is reading at DMV window
    • "your turn to say something"
    • Funny, frustrating
    • Good for their personalities
    • Long
    • Don't play frustration right away
    • Sense of power over him
  • Anna- Supernatural (Dean)
    • Chasing/hunting monsters
    • Short and sweet
  • Naz- Nine Parts of Desire
    • Love, art, Muslim daughters
    • Artist, mother, nudist
  • Itzel- Simply Maria (Maria)
    • Want to go to college
    • Good accent
    • Woman's rights
  • Carter- Top Dog, Under Dog
    • Job, boss, cussing
    • "I was the be-all, end-all"
    • Good accent
    • Angry --> other places

Thursday, November 26, 2015

Extremities by William Mastrosimone

This play was so weird and crazy. Marjorie is in her apartment when a man breaks in with the intent to rape her. Instead, she ties him up and traps him in her fireplace. Her roommates come home and find them. They all have different opinions on what they should do with him. One wants to call the police but the other believes that nothing will happen to him because he did not actually commit rape. He has been stalking them and makes them turn against each other throughout the play.

There are few good monologues and scenes between the girls when they are fighting with each other.

Tuesday, November 24, 2015

Class 11/24

Read New Monologues

  • Larissa- Anne of a Thousand Days (Anne Boleyn)
    • Interesting language
    • Troubles/issues
    • Fight against getting mad
    • Slow between loud/mad and soft/restrained
  • Matt- The Gym Teacher (Mr. Orlando)
    • Not a teacher, just a regular guy
    • Throw medicine balls
    • Funny and offensive
    • Voice of authority
    • Smart

Friday, November 20, 2015

Amy (And Turning, Stay- monologue)


  • First read- 9/15
  • First performance- 10/1
    • Deeper register, not breathy 
    • She's had it with him
    • No huffing
    • Watch the rocking back and forth
    • Separate words more to add emphasis (anger, hurt)- "God. knows..."
    • Move with gut/heart
    • No fake movements, be sure
  • Second performance- 11/10
    • Forgot lines, but recovered
    • Still huffing
    • Purpose
    • Think about character traits, physicalities


The Woolgatherer by William Mastrosimone

This play only consists of two characters- Rose, a quirky, crazy lonely women, and Cliff, a crude truck driver. They supposedly meet at the convenience store where Rose works when Cliff's truck breaks down. She brings him back to her sad little place where they have odd conversations. This is the only setting in the play- Rose's little room. It's obvious Cliff is trying to sleep with her but she's oblivious and just wants to talk. He makes jokes about everything and she doesn't share his sense of humor. He leaves and comes back some time later because he missed her. She missed him too. They reconcile and end up talking about driving cross country together.

The whole play is full of great two-person scenes because there are only two characters. We chose the first part of the first scene because it's interesting to see how they first interact. There is one monologue by Rose that really stuck out to me. It's about when she saw these boys murder birds at the zoo and was very upset about it. It's a very emotional piece.

Thursday, November 19, 2015

Class 11/19

Scenes

  • Nate & Summer- A Lie of the Mind
    • Nate- a lot better with working with her and emotional/facial expressions
    • Summer- good gibberish! Way better
    • Good pauses/take time for movements
    • Summer needs to give in to Nate- let him control her body
  • Jessica & Kaitlyn- The Odd Couple
    • Jessica- needs to work on expressions (always smiling!!)
    • Kaitlyn- react more to neck pain
      • Hypocondriac- believes she's really hurt
    • Know characters better
  • Jacob & Tabatha- 
    • Lots of improvement on expressions/deliver
    • Tabatha- act like you're talking (announcing) to someone
    • Act/developing through scene
    • Make characters unique
  • Jacob & Jesse- Zoo Story
    • Jesse- acting like himself, not a character
    • Jacob's character is pretty good/developed
      • Some parts, not others
      • Everything he says is very calculated
    • Jesse has good uncomfortable movements
    • Jacob- find something that makes him different
  • Naz & Martha- Five Women Wearing the Same Dress
    • Good job taking notes from last time
    • Really good physicalizations
      • And characters
    • Martha- good job reacting to the lifeguard's death
      • See pain from past
      • That's why she is the way she is
    • Look at same spot for out the window
    • Naz- good monologue

Observation 10/1

Boy A: My sister turned into a mom. I was afraid this would happen. She just stopped being fun. She always texts me like "bring a jacket."
Boy B: That's a bummer, dude.

I had to write this down because it was so funny. I imagine this is exactly how my little brothers think of me. I baby them so much and I can see them talking like this with their friends.

This would be fun to make into an exercise. Think of a person you know really well and then think of them as a different role in your life. Like you mom being your best friend. Or your sibling being your teacher. Or etc.

Tuesday, November 17, 2015

Class 11/17

Monologues

  • Jesse
    • Intense
    • Seems like he didn't remember his exact lines, like he was making them up as he went
    • But good natural vibe
    • Good funny parts (not too played out)
    • Lots of "um"s, "you know"s
Scenes
  • Erin & Autumn- Stop Kiss
    • Good attitudes toward each other
    • Good characterization
    • Find how your character moves different than you do
    • Work on diction
  • Anna & Lizette- Uncommon Woman
    • Good reaction at beginning
    • Anna uses same voice throughout whole thing
    • Lizette has good body movements
    • Cute song Anna sings to Lizette
  • Itzel & Rodrigo- Barefoot in the Park
    • Good funny parts, emotions
    • Read magazine during fight?
    • Perfect anger and cluelessness
    • Break character?
    • But don't act passionate/chemistry of being married
    • Turned back to audience
  • Larissa & Carter
    • Soooooo good
    • Little scary but cute
    • Hits need to be more realistic
    • Carter needs to be more touchy?
    • Passion! Kiss?
    • Talking about neck- good
    • Carter needs to be bigger (fill room)

Thursday, November 12, 2015

Class 11/12

Scenes
  • Alexis & Ryan- 
    • Good changes with movements
    • Fully memorized!
    • So comfortable around each other
      • Awkward when she's lying on him- just an awkward position in general
    •  Great movement around stage
    • Grab in anger- work on showing that anger
      • Good at happy and sexual, but work on anger
  • Matha & Naz- Five Women Wearing the Same Dress
    • Martha- good bored lok
    • Naz- react to her lifting dress
    • Chemistry is better, but not all the way there
    • Martha's facial expressions don't always fit
    • Naz's movements and hand motions are great
    • Good character development for both
      • But not really BFFs
    • React to lifeguard dying?
    • Dress to fit part (dresses)
  • Monica & Scarlett- A Coupla White Chicks Sitting Around Talking
    • Soooo much better
    • Monica's expressions are so good
    • Scarlett needs to feel her character more
      • Don't buy it as much as I want to
      • Better toward the end
    • So amazing at the end
    • Be condescending?
  • Diana & Siena- Stop Kiss
    • Siena's expressions are so good (even when Diana messed up)
      • And good hand movements
    • React to "sleep with me" line
    • Amazing tension
    • Pretend to be asleep and roll over on her
Monologues
  • Autumn-  Paper Moon
    •  Still need to react to injury
    • Kind of robotic movements
    • Switches to anger real fast
    • Sexuality? - be sexy (not detached)
    • Nice light accent
  • Itzel
    • Huge improvement
    • Amazing pauses, looking around
    • Really like a lecturer/professor
    • Hand at side is moving weird
    • See behind tough woman?

Tuesday, November 10, 2015

Class 11/10

Monologues (3rd time)
  • Summer- Grey's Anatomy
    • Sighing/huffing
    • Good monologues and voice changes
  • Scarlett- Crimes of the Heart
    • Moving back and forth
    • Too casual?
    • Ending was cheesy
  • Matt- The Laramie Project
    • Character is a lot like his personality
    • Good pauses/timing
    • Too factual, not as much emotion as expected
    • Voice raises are good- what is important
  • Nate- Breakfast Club
    • Smiling to serious real fast
    • Really good meaningful pauses
    • INTENSE
  • Larissa-  Summer and Smoke
    •  Head movements- okay?
    • Amazing facial expressions
  • Liza-  Enigma
    • Good pauses
  • Lizette- Hairdresser
    • Amazing dramatic pauses with movements
    • Good job not trying to make the funny parts funny
  • Martha- Passion Type
    • Deadpan beginning
    • Anger in middle, sweet at end
  • Kaitlyn- Aida
    • Good excitement
    • Good hand motions in second half
  • Carter- Hurricane Season
    •  The voice- literally changes into a basketball coach
    • Voice of authority
    • Good looking around like talking to team
  • Jacob- Mad Men
    • Good- hands in pockets
    • Good voice type (not Jacob voice)
    • Steps forward are motivated
    • Still needs to talk like he doesn't get a chance to talk this much
  • Maddie- New Girl
    •  Same voice
    • Weird movements
  • Anna- Curse of the Pharaoh's Kiss
    • Change up voice for listing things
    •  Good job showing that she's off in her own mind
  • Erin- The Greatest Play Ever Written
    • Forgetting lines or pausing/huffing on purpose?
    • Way to come out strong
  • Naz- This is Our Youth
    • Natural arm movements, stuttering
    • Good- gets faster as it goes on 
  • Ryan- Star Spangled Girl
    • Good emotion right away
  • Alexis- Time Stands Still
    • Facial Expressions on point
    • Playing with sweater is good
    • Amazing voice switch ups
  • Siena- The Blair Witch Project
    • Shifting in seat
    • Not too believable facial expressions
  • Rodrigo- The Walking Dead
    •  Good cockiness
    • Shifting feet still
    • Good chuckling
  • Jessica- Colorado 
    • Eccentric, crazy movements
    • So good

Thursday, November 5, 2015

Class 11/5

Scenes

  • Diana & Siena- Stop Kiss (end of scene 7)
    • Awesome nervous energy
    • Awkwardness more as beginning too
    • Decide when you're going to take a shot
    • Siena- telling herself she is crazy, doesn't want to get rejected
    • "lucky"- me or the cat?
    • Little choices make it good
  • Carter & Larissa- Fool for Love
    • SO EMOTIONAL
    • Carter- try to look bigger than the room
    • Good personalities/emotions
    • They've been through this before
    • Walk away when you don't want to hear what she's saying
    • Make her passionate (hit or kiss)
    • Rocking back and forth?
    • Get rough with her and swing at him
    • Wanted her to beg and now she is
    • All the torture people can do, they have done to each other
    • Knows the physical stuff (familiar), not so much the emotional

Wednesday, November 4, 2015

8 Acting Techniques

http://www.backstage.com/advice-for-actors/resources/8-acting-techniques-and-stars-who-swear-them/

Tuesday, November 3, 2015

Class 11/3

Scenes
  • Kat & Matt- The Glass Menagerie 
    • So much tension before they even spoke!
    • Matt- give yourself an action to do before speaking
      • Ritual, reason to sit down
    • Change in Mom when she crosses style
    • Know objective/s
    • Touch him like your child
    • Good- getting ready while talking, trying to leave
  • Jacob & Jesse- Zoo Story
    • Jesse- don't do it just for the laughs (even if it is funny)
    • Jacob- don't be faking, be annoyed
    • Jesse- make him uncomfortable
    • Both of you- react
    • Jacob- turn red, like someone's junk touching you on the trolley
    • Jesse get in Jacob's face
    • Jesse- head nod but he ignores you
    • First say like you know he can hear you (calm)
    • Then be the annoying older brother ("I'm not touching you")
  • Autumn & Erin- Stop Kiss (Scene 11)
    • Set the scene before
    • Autumn- wants to get dry and doesn't want to go out
    • Erin- annoyed but further- time isn't valued, doesn't matter to her (hurt and mad)
    • Erin- look out window waiting for her, kind of clean up (but not), anxious
    • Erin trying to leave while Autumn is taking off her coat to stay
    • Erin- attitude
  • Tabatha & Jacob- 
    • She's in her own world and doesn't listen to anyone
      • Her world is alive and animated
    • He's trying to make her grow up and protect her from their dad
    • He doesn't actually believe in her world
    • Don't let her do crazy stuff while the dad's around
    • "Little hummingbird woman"
    • Don't wait for him to talk (no pauses)
  • Mico & Liza- The Good People
    • Liza- good story telling, taking over the conversation
    • It isn't going where he wants it to
    • Grab him, hug him, kiss him
    • He wants the power but she took it
    • She needs to make him feel like a little boy with no power
    • He sets up the room just as he wants it/pictures it
    • So good

Thursday, October 29, 2015

Class 10/29

More Scenes
  • Monica & Scarlett- A Coupla White Chicks Sitting Around Talking
    • Monica- need to be nice but condescending
      •  You know you're better than her (she married the guy)
    •  Walk in and check her out
    • Feels like an eternity, but count to 10 before speaking
    • Monica acting like she doesn't care but she really does
    • Scarlett- throw a chair, get mad
    • Stand up, movements, grabher
    • Monica start acting out what husband did (while saying it)
  •  Alexis & Ryan
    • Transition between mashed-together scenes
    • Alexis- initially tough but he softens her
    • Lists people he grew up with in foster care, says they're his brothers (he's kind of lying because they're biologically related to him, but he feels like they're his family)
    • Ryan- you take command of the scene and bring her to next place
    • Act like you like her
    • If they've slept together before, you're more comfortable with each other- unconscious touching, being close
  • Jessica & Kaitlyn- The Odd Couple
    • Kaitlyn- good energy
    • Jessica- good awkwardness
    • Jessica running around after her
    • Fake offers to help with divorce but then she really has to help her when she hurts her neck
    • Jessica- this is your palace
      • Kaitlyn comes and disrupts everything
    •  Jessica- stop being sweet
    • Jessica doesn't want to be there with her
    • Kaitlyn- could be having this conversation with herself, or anyone
    • Jessica-keep trying to leave and Kaitlyn-keep grabbing her so she can't leave
      • Kaitlyn- lay on her lap
  • Naz & Martha- Five Women Wearing the Same Dress
    • Naz moved in- good timing
    • Act how you sit/touch/act with your BFF
    • Hard/emotional conversation right before this scene starts
    • Martha's character is cynical about guys
    • Naz- adjust yourself like nothing's right (dress, accessories, etc.)
    • Martha just watching, laughing
    • Both wearing bad dress, but only Naz cares
    • Martha- look under Naz's dress to see the lingerie she's talking about (like a BFF)
  • Me & Maddie
    • NO HUFFING
    • Maddie's moving around (like she has ADHD) and I'm just trying to play the card game
    • Actually play a card game during the scene (realistic and flows better)
    • I'm timid and stoic and just want her to focus
    • Boring as is- need to jazz up the scene
    • Have to get up and move around at some point

Tuesday, October 27, 2015

Colorado by Peter Sinn Nachtrieb

After Jess did her monologue from this play, I thought it was really interesting and wanted to read the whole thing. And boy, was it weird. Tracey is crowned Miss Late Teen Colorado and then she's kidnapped. The story shows how her family copes with her disappearance because she is obviously the center of attention in the family. Her mom and dad are very worried, while her brother is not. There are flashbacks that show Tracey being really mean to her little brother. The end of the play reveals that her brother killed her and buried her in the backyard.

This was a dark play, which I did not think from Jess' monologue. But I do really like the monologue she did- Tracey from the grave talking about how it sucks to be dead.

Class 10/27

First-time Scenes
  • Nate & Summer- A Lie of the Mind
    • Good gibberish!
    • Murmur in sleep at beginning
    • His realization and face before he wakes her up
    • Treat her like a kid- bend to her level, nice soft voice, caress hair
    • Good slow, awkward movements (getting up)
    • Keep her sitting and get her feet right first
    • Does she know/understand what he's saying?
  • Itzel & Rodrigo- Barefoot in the Park
    •  Good energy between them
    • Connect kinetically
    • Anger like the middle of an argument
    • She's beautiful when she's angry but he still wants her to come to bed
    • She's his excitement/savior, but secretly loves it- that's who he married
    • Rodrigo- use lawyer voice/personality
  • Anna & Lizzete-
    • Lizzete- look first and react to her
    • Lizzete- dude in your head is all about power
      • Walks/talks with his crotch
    •  Things women do but in a guy way

Friday, October 23, 2015

The Importance of Being Earnest by Oscar Wilde

This play was pretty confusing, but I think I got the gist of it. "Ernest" goes to his friend Algernon's house to propose to his cousin, Gwen. Algernon forbids him to and demands him to explain himself because he has an inscription that says "Jack." Ernest admits to being both Jack and Ernest. He is Jack in the country and Ernest in the city- and he calls his alter-egos his brother. After hearing this, Algernon pretends to be Ernest too. But Jack is tired of living both lives so tells everyone that his brother Ernest has died. Gwen's mother doesn't want her to marry Jack until it turns out that he is the man that she accidentally left somewhere as a baby. But Gwen wants to marry Ernest, not Jack. With this new information of being abandoned as a baby, it turns out that Jack's real name is Ernest.

There are a few fun scenes in this play because of all the confusion of names and who is who.

Thursday, October 22, 2015

Class 10/22

More Reading Scenes
  • Larissa & Carter- Fool For Love
    • Good dynamic
    • Lovers since high school
    • They're related!?!?!?! - half brother and sister
    • Should they have accents? (same accents)
  •  Summer & Nate- A Lie of the Mind (different scene)
    • Walking for first time
    • Gibberish
    • Trying to get other guy out of her head (his brother)
    • Nate is normal when everyone if weird
    • Going to be longer with action and pauses
  • Kat & Matt- The Glass Menagerie
    •  Accent?
    • Mother and son
    • She's emotional, he's grounded
    • Son reminds her of his father/her husband
    • Build up to drama
    • Vary intensity levels

Tuesday, October 20, 2015

Class 10/20

Breaking the Script into Beats
  • Beat- beginning, middle, end
  • Color code
  • Choose a different main verb for each beat
  • Different beats/objectives for each character
  • Block naturally first
  • Arc over whole play, whole character, then within each scene
  • What's the object? And what's the obstacle?
  • Inaction can be action 
Reading
  • Summer & Nate- A Lie of the Heart (different scene)
    • Trying to get her to walk
    • She's trying to talk
First-time Scenes
  • Itzel & Rodrigo- Barefoot in the Park
    • He wants to go to sleep (obvious)
    • She wants to get him to understand (obvious)
    • He wants her to understand (underlying)
  • Jesse & Jacob- Zoo Story
    •  Jesse's character trying to talk to someone
    • Jacob's character wants to be left alone

Monday, October 19, 2015

Scene 1: Callie (Stop Kiss)

Scene from Stop Kiss by Diana Son (cut scenes 7 and 3) with Maddie Melcher



(Callie’s apartment. Callie and Sara are on the couch playing cards.)

SARA: Okay, if you’re in someone else’s bathroom and they have the toilet paper coming out from the bottom instead of the top –

CALLIE: I hate that!

S: Do you change it or leave it the way it is?

C: What do you mean change it? You’d change somebody else’s roll?

S: Yeah, if I was gonna use it a couple times.

C: Pfff.

S: All right, you go next.

C: So if you were driving down a highway and saw a pothole in the road ahead, what would you do,
straddle or swerve?

S: Mm, straddle, you?

C: Straddle.

S: (About Callie) Swerve.

C: Nah-ah.

S: Yes you would.

C: (A second scenario) Cat in the road.

S: Not a cat – say a rabbit.

C: Okay, a rabbit. Straddle, swerve, or brake.

S: (Like this is even an option; disbelief) Straddle a rabbit.

C: Sport Utility Vehicle – four-wheel drive, you could.

(Callie sits down, picks up her hand, and discards.)

S: Screech to a brake, check the rabbit, then – smoke. You?

C: Brake.

S: (Correcting her again) Swerve.

C: Why do you keep saying that?

S: This is you – (She pretends to be Callie driving then swerving. Callie puts her cards down.)

C: These cards are driving me nuts.

S: One more hand, please. (Callie picks the cards back up.)

C: Can I ask you something about your job?

S: Yep.

C: Why did you want it?

S: You mean this fellowship?

C: Public school, the Bronx – teaching.

S: Instead of private school, St. Louis – teaching?

C: That’s what you’re used to, right?

S: It’s where I worked for five years, I never got used to it. I mean, I never went to private school. We all went to the cruddy public school – I mean, it was cruddy compared to the private school, it’s the Sorbonne compared to where I teach now. But in a private school… I mean, what am I giving them? They have more than everything.

C: And the Bronx?

S: OK. These kids – you know who I was when I was their age? I was the kid who had the right answer, knew I had the right answer, but would never raise my hand. Hoping the teacher would call on me anyway. Those are my favorite kids to teach. And here? Now? I’ve got a classroom full of them.

(Callie looks at the discard pile.)

C: Did you pick up a card? (Sara does.)

S: You should come and meet them one day.

C: Yeah, OK.

S: I’ll bet you’ve never even been to the Bronx.

C: I go every day.

S: Fly over.

C: That’s more than most New Yorkers.

S: Can I ask you about your job?

C: (Dread-filled) Go ahead.

S: Why the traffic?

C: Why the traffic indeed.

S: I mean, as opposed to reporting or other kinds of journalism.

C: I’m not a journalist. I never worked in radio or TV before I got that job.

S: So how’d you get it?

C: My boyfriend Tom’s uncle worked at the station.

S: Oh.

C: I mean, it’s the traffic; it’s not even – the weather. You just ride around in a helicopter and tell people what the cars are doing.

S: The helicopter part is pretty great, right?

C: Yeah, how great?

S: Well if you don’t like it, you should get another job.

C: I can’t. (Sara imitates Callie swerving in her imaginary car again. Slight pause.) I don’t get that.

S: What time is it?

C: (Checks phone) Almost eight o’clock already. Oh, I forgot about meeting George and the others at the Sinatra bar.

S: I should go.

C: No no, they’ll be there for hours.

S: I’ve taken up your whole –

C: Are you hungry? We could order something. There’s Polish, Indian, Cuban, there’s a pretty good

Vietnamese –

S: Are you sure you don’t – I’ve never had Vietnamese –

C: I’ll show you the menu. (Callie hops up and goes into the kitchen.) Something to drink? Beer?

S: Yes to beer. (Sara leans toward Callie’s phone.) Were those friends from work?

C: Oh no, the people at my job are a bunch of stiffs – can you imagine? They listen to the same news

reports every ten minutes for eight hours a day. They repeat themselves in regular conversations. No,

George – the guy on the phone – Lidia, Jasmine… Rico, Sally, Ben – we were all friends in college and now we’re stuck to each other. I think we’re someone’s science experiment, we just don’t know it. A study in over-dependency.

S: Is George your boyfriend? (Callie returns, carrying two beers. She hands a beer and menu to Sara.)

C: I like the noodle dishes, they’re on the back. (Sara takes the menu.) George and I… are friends. Who sleep together. But date other people. Sometimes for long periods of time. We’ve been doing this since we were…20. Although he never likes anyone I’m dating, he’s unabashedly – and I admit I can get jealous when he’s – but at least I try to hide it; I’m pretty good at it too. It’s only after they’ve broken up that I – Anyway, we’ll probably get married. (Sara gets the Eight-Ball and shakes it. She looks up at Callie.) Or not.

S: It’s stuck between two again.

C: Why’s that keep happening to you?

S: Me? I think you have it rigged. (Callie takes the ball and shakes it. She looks at its answer: It’s between

two again. Sara tries to look –)

C: Okay, okay.

S: All my friends are married or getting engaged, having babies or wishing they were – and lately when I

hear about it, I think – why?

C: Why not?

S: Marriage. Why would you say to anyone, “I will stay with you even if I outgrow you.” (Pause.)

C: (Remembering) Peter. (Sara is unresponsive, then finally nods.) Did you leave him to come here?

S: … No.

C: Mm… C-minus.

S: In what?

C: Acting. (Sara looks down.) I’m sorry –

S: No no –

C: I’m prying –

S: No, that’s not why –

C: I hope I didn’t –

S: No, it’s okay. (Slight pause.)

C: Did you decide what you wanted to order?

S: I moved out from our apartment – we lived together – and moved in with my parents about a month ago. I came here from there.

C: How – how long –

S: Seven years.

C: Seven… So you must still be –

S: – Finally. Finally where I want to be. I’ll stay here in New York for two years and then I’m going to take off.

C: Let me guess: India.

S: A for effort, but no. Australia, Malaysia, Indonesia, Micronesia –

C: All the countries that sound like skin rashes?

S: Peter said, “What about Anesthesia?” Speaking – what time is it?

C: 8:03.

S: Hm.

C: What?

S: Oh, he left a message on my machine saying he was going to call at 8:20. He wants to come visit. He manages a restaurant in St. Louis so he wants to come and check out some of the special places here.

C: You’d better hurry.

S: I couldn’t make it in 15 minutes.

C: You could if you took a cab. (Slight pause.)

S: But then I wouldn’t have Vietnamese food.

C: We could do it another time.

S: I just started this beer. (Pause.)

C: You wouldn’t want to waste a beer.

S: That’s what I was thinking.

C: Cheers. (They tap glasses.)

Thursday, October 15, 2015

Class 10/15

More Scene Reading
  • Summer & Nate- A Lie of the Heart
    • Mentally (?) ill and physically hurt man
    • Confusing without context
    • Beat until brain damaged
    • Research accent/way people talk with damage
  • Autumn & Erin- Stop Kiss (scene 11)
    •  Good roles
  • Jesse & Jacob- Zoo Story
    •  Personal conversation with a stranger?
    • Crazy person went to the zoo
    • Two daughters, wife, cats, and birds
    • Voices in his head
  • Tabatha & Jacob- Rooster
    • Watch Rooster- killing his chicks
    • Praying
    • Add more/monologues 
  • Mico & Liza- Good People
    • Turkey story about his (dead?) mom
    •  Liza- good voice (for first reading)
    • Modulated accent

Tuesday, October 13, 2015

Class 10/13

How to Approach a Script
  • Separate into "beats"
    • "Beat" came from "bit"
  • Identify the obstacle in your character's way
    • One beat at a time
  • Body first(do it)
  • Physical --> mental (actors are not meat puppets)
  • Do it just for your scene
    • Then whole play- mark up script, scan, and put on website
Reading Scenes
  • Monica & Scarlett- A Coupla White Chicks Sitting Around Talking
    • Cheating husband
    • Isn't mad
    • Slow at the beginning
  • Alexis & Ryan-
    • Go to California
    • Emotional!!
    • Fit different monologues or small scenes into it
  • Jessica & Kaitlyn- The Odd Couple
    • Divorce
    • Neck spasm
    • Switch characters? - juxtaposition
  • Anna & Lizzete-
    •  Unpolite dudes- pretending to be
    •  Kind of weird, but interesting
  • Itzel & Rodrigo- Barefoot in the Park
    •  Non-adventurous husband
    • Watchers vs. doers
    • He's too proper/dignified/logical 
  • Naz & Martha- Five Women Wearing the Same Dress
    • Bridesmaids
    • Best friends
    • Cheated on her husband
    • Abortion in college- baby is groom's
    • "Biggest piece of wet toast"
  • Me & Maddie- Stop Kiss (Scene 3)
    • Add to make longer
    • Good starting with game
  • Diana & Siena- Stop Kiss (Scene 11)
    •  Going to award ceremony scene
    • Need to add more

Saturday, October 10, 2015

Friday, October 9, 2015

Stop Kiss by Diana Son

This play was for the scene I did with Maddie; we did a mash-up of scenes 3 and 7. I'm still not sure how I feel about it after I've read through it a few times. The format is kind of weird because it's a mixture of flashbacks and current time. Currently, Callie is getting interviewed by a cop because of an incident with Sara and a man on the street. Callie and Sara were finally realizing their feelings for each other and they were kissing in the park when a man called them bad names and when Sara stood up for them, he beat her up and put her in a coma. The flashbacks are all about how Callie and Sara met and became closer.

I really like a lot of scenes from this play. All the ones people did in class were good. And there is one good monologue from Callie when she bursts into anger with the cop about what actually happened when Sara was attacked.

Thursday, October 8, 2015

Class 10/8

Last of First-Time Monologues
  • Mico- Good Will Hunting 
    • Know the character and his emotions
    • Defy expectations (Yale)
    • Chip on shoulder, complex
    • War, intelligence, manhood
    • Witnessed a lot of tragedy
    • Connect to person he's talking to because sees himself in him
    • Pushing/pulling- physically and then emotionally
    • "Short" complex
  • Rodrigo- The Walking Dead
    •  Rocking back and forth
      • Repeated stepping
    • Angry but powerful
    •  Talking to someone else helped- in his face
      • Experience the feeling of two guys (back-up) behind him
      • People holding his legs
    •  Who are you talking to? How do you feel about them?
  • Jessica- Colorado (Tracey)
    •  Whole body movement- prissy
    • Not syncopated movement
    •  Really good voice change
    • Choreographed- DON'T do that
    • Practice different ways you'd never actually perform it
  • Diana- Blow (George)
    • Amazing!
      • Pauses, facial expressions, voice
    • Hold back your real emotions
    • Show what's in your face with your body
  •  Anna- Curse of the Pharoah's Kiss (Veronica)
    • Locked up/stiff
    • What are you trying to accomplish?
    • Deliver how you would to a really handsome guy (ants in your pants)
    • Layer with insecurity
    • Like having sex with him with your words
  • Kat- Like Dreaming, Only Backwards
    • Nervous energy- good for character
    • In pain (suicidal)
    • Doesn't like herself
    • Work into it
    • Rub hips, move up
      • Beginning, middle, end
    • This it he way it is, this is it/the end
    • Pain in voice
  • Lizette- Hairsylist (Sarah) (original)
    •  SO funny!
    • Amazing pauses, movements, facial expressions
    • Good job taking her time with movement in between lines
    • Portray it even more in your body
    • Good unsettling
    • Hands are useful (hands to ear)


 Notes
  • Roll on the floor or do jumping jacks while saying your monologue to practice 

Tuesday, October 6, 2015

Class 10/6

Talking About Sylvia

  • Huffing between wife and friend
  • Therapist's character was hard to buy
    • Switch to "you're crazy"
  • Sylvia was sweet until the cat part
  • Wife didn't go as deep as she could've
  • Should've been more like siding with either Greg or Kate, but Kate's coldness made us all side with Greg and Sylvia
  • Should've made them look older
    • And seem like they've been married for a while
Scene with Maddie
  • 5-8 minutes
  • Play, TV show, movie...
  • Ideas
    • 2 Broke Girls
    • New Girl
    • How I Met Your Mother
    • The Effects of Gamma Rays on Man-in-the-moon Marigolds
    • Stop Kiss
    • Beth Henley
    • Wendy Waserstein

Friday, October 2, 2015

Acting Techniques

http://iml.jou.ufl.edu/projects/s12/gair_j/techniques.html

Monlogue 1: Amy (And Turning, Stay)

AMY: Don't you dare walk away from me! And don't tell me you're sorry! And don't tell me to forget it, and don't you dare tell me to "let it go." God knows, I'd like to. I wish I could, but I can't! I can't forget that we had something, and you're running away. You're running away! Don't you see, Mark? You're running from what I've searched for all my life! Why, because you're scared? Well, I'm scared too, but you and I - we have something worth fighting for. We could make it work, I'm not saying it would be easy, but I care about you. And I know deep down, under this bravado, you care about me. And that's what it's all about, Mark, don't you get it? It's the human experience. You can pretend all you want, but you're only lying to yourself. You're denying the simple and wonderful fact that you are emotional, and vulnerable, and alive.

Can you honestly stand there and tell me that I mean nothing to you? That everything that happened that night was a lie? That you feel nothing? (AMY is crying or close to it. The following is a painful statement that she makes not to attack or threaten Mark but rather, to allow herself closure with the situation.) I feel sorry for you, Mark. I'll move on. I'll find someone else. I'll be alright, because I will know that I tried. That I did everything I could. But someday you will look back, and you will realize what you threw away. And you will regret it always.

Thursday, October 1, 2015

The Seafarer by Conor McPherson

It takes place in Ireland and you can definitely tell by the dialogue. Richard, a blind man, lives with his brother Sharky. They are obviously alcoholics, along with their friend Ivan. This takes place over Christmas Eve. A person from Sharky's past comes in to remind him that when they were in prison, they played a game of poker for his soul. Sharky won but the man wanted to play him again. The four men play poker and Sharky thinks he won until Ivan shows a higher hand. Sharky's soul was on the line.

This play was super weird and there aren't any girls in it so no, I didn't see any monologues or scenes for me.

Class 10/1

Monologues

  • Tabatha- Goodbye Charles (Cynthia)
    • Pace too fast
    • Good emotion in voice
    • Take and hold deep breath (energy)
      • Explosion of energy
    • Switch to honesty and swtich back to being closed off
    • Make choices!
  • Me- And Turning, Stay
    • Deeper register, not breathy 
    • She's had it with him
    • No huffing
    • Watch the rocking back and forth
    • Separate words more to add emphasis (anger, hurt)- "God. knows..."
    • Move with gut/heart
    • No fake movements, be sure
  • Monica- (Gina)
    • Much better with people to talk to 
    • Channel Sadie from Awkward.
    • Change up voice
  • Liza- Enigma (No-name woman)
    • Presence/energy is so good
    • Can see her pain in her face/hear it in her voice
    • Be forceful but still unsure
    • Get our attention
  • Jesse- What Theo Did (Nicky)
    • Good posture/how he holds his body
    • He doesn't care about people
    • Refine character's personality
  • Martha- Passionate Type Monolgue (original)
    • Hiding her crazy at first
    • Emphasis on "skank"
    • Blow up and then switch to calm (innocent)
    • Follow notes?

Tuesday, September 29, 2015

Class 9/29

Monologues
  • Kaitlyn
    • Need attitude (defiant)
    • Sell it- like you've been offended
    • Lower register
    • Physical changes- tough princess stance
  • Maddie- New Girl (Jess)
    • Physical shift (shoulders)
    • Good pacing
    • Mouth is too far ahead of her brain
  • Naz- This is Our Youth (Jessica)
    • Really good voice change
    • Need to use whole body!
    • Add nervousness from character
    • Transformation of emotions
    • Covering herself up physically
  • Autumn- Paper Moon (Trixie)
    • Talking to a kid- squat down
    • Change stumble to getting up
    • Good transitions
    • Don't forget about injury
    • Be sure of yourself, confident
    • Have fun with the sexy- that's the character
Other
  • Characters are led by a certain part of their body based on their personality/mindset
    • Head
    • Heart
    • Groin

Monday, September 28, 2015

Observation 9/28

Girl A: ...didn't come home last night. Alex was worried so he call 911.
Girl B: For what? You didn't tell him?
A: No, I didn't know what to tell him. He had to go to his test anyway.
B: Well, he's probably really paranoid. You should tell him.
A: He asked me if I told everyone to not go home. But Marie is out of town for the week anyway.

I just thought this was an interesting conversation because these two girls came into my office and I have no idea what they were talking about and I couldn't figure it out. But it gave me an insight into what girls gossiping sounds like from the outside. They sounded like very typical valley girls.

If I had to make up what they were talking about, I would make it super dramatic like a girl was kidnapped and her boyfriend calls the cops. But it turns out that she was kidnapped by her secret lover and she was really running away with him and leaving her boyfriend.

Saturday, September 26, 2015

Trifles by Susan Glaspell

This play revolves around the premise of a murder mystery. Mr. Wright was killed and Peters is trying to find out who the killer is. Everyone thinks it's his wife at first, but they don't have evidence. The men trying to solve the case tell the women (their wives) not to worry about it and that they should be thinking about nicer (less important) things. The women are upstairs and find a bird that was killed the same way Mr. Wright was, which is evidence to support the wife as the murderer. The women hide it because the men don't take them seriously. This play shows how women were oppressed back in this time; they were not taken seriously by men at all.

There are a few scenes between the women that are interesting, but taken out of context, I don't know how they would be.

Thursday, September 24, 2015

Class 9/24

More First-Time Monologues

  • Siena- Blair Witch Project (Heather)
    • Fake crying voice
    • Sitting on edge of seat
    • Show emotions physically
    • Syncopation puts people to sleep
  • Alexis- Time Stands Still (Mandy)
    • Great body movements (really created the character)
    • Character takes over
    • Good awkward pauses
  • Ryan- Star Spangled Girl (Andy)
    • Nice clear voice
    • Create character or be your persona
    • Underlying anger
  • Scarlett- Crimes of the Heart (Meg)
    • How to begin
    • Use diff lines that you think have same emotions (to get the hang of it)
    • Good vocal range
  • Jacob- Mad Men (Leonard)
    • Good fluid motions
    • No huffing (not natural sounding)
    • No character history- make it up?
    • Everything starts closing in
    • Speaking freely for the first time
    • Burst of anger
    • Layers of notes (emotions, movements, richer character)
  • Erin- The Greatest Play Ever Written
    • Emphasize fig newtons
Other Notes
  • Auditioners want you to be the solution- so act like the solution to their problem
  • KNOW your character and all the words/phrases they say
  • Pause in between lines instead of before

Tuesday, September 22, 2015

Class 9/22

  • Do as many auditions as you can!
  • Reels
    • Can be just Youtube scenes, but not very professional (or if you have nothing else)
    • Be just you (if scenes, only focus on you)
    • 3 minutes is good
    • Diversify- drama, singing, comedy scene
  • Character analysis- about whole character
    • Find all facts, read entire play
    • If from a show, watch the whole episode (or season if you can)
  • Character journal- what is going on in life
First-Time Monologue Performances
  • Larissa- Summer and Smoke (Alma)
    • Repressed emotions (anger, love)
    • Something holding her back (physically and emotionally)
    • Trying to get out of hugs
  • Nate- Breakfast Club (Andy)
    • Trying to sound macho
    • Don't play the end character (because you know where it goes), play the current one (pretend you don't know where you're going)
    • Pick one moment when you become vulnerable
    • Ugly energy that he puts on at school
  • Matt- The Laramie Project (Jedidiah)
    • Good awkward energy
    • Sitting down (what you feel is right)
    • Needed pauses
  • Itzel- The Mirror Has Two Faces (Rose Morgan)
    • Good movements and expressions
    • Don't wander
    • Know where the joke is
  •  Summer- Grey's Anatomy (Meredith Grey)
    •  Good body movements
    • Attitude
    • Don't try to play actual character, play her your way
  • Carter- Hurricane Season (Coach)
    • Good voice (creates character)
    • Don't shuffle, move forward if you're going to move
    • Good gestures
    • Good change of voice quality

Friday, September 18, 2015

Wednesday, September 16, 2015

A Doll's House by Henrik Ibsen

This play was kind of a revolution of sorts for women's rights. It's about Nora and her husband Torvald. Their marriage is typical of the 19th century, where Torvald works at the bank to make the money and Nora stays home as a housewife. Torvald was sick and they had to travel but didn't have a lot of money so Nora borrowed from one of the bank employees but told her husband it was from her father. This is a scandal because women weren't allowed to sign their name on loans or deeds or anything without their husband's approval. The employee she borrowed from gets fired and threatens to tell Torvald about their deal. Nora distracts her husband by being silly and girly. And that's all that Torvald sees her as anyway. In the end, she leaves her husband, saying she needs to work on herself because she can't be a wife or mother without knowing herself. This was such a big thing in those days because divorce was unheard of.

There are a few good monologues from Nora that I could cut together to make long enough.

Tuesday, September 15, 2015

Class 9/15


  • Should have 12-20 monologues in your pocket after you graduate- can perform anywhere any time
  • Can splice/dice monologues if needed (except Shakespeare)
  • Don't require any dialogue from others 
  • Do a piece for what you look like- ethnicity, age, gender, etc.
  • Can be a memory, a rant, a monologue, a prayer....

Reading Monologues

  • Autumn- Paper Moons
    • kiddo, cosmetics, bone structure
    • really good
  • Nate- Breakfast Club
    • dad/beat up kid
    • really good
    • used to be overdone when movie first came out but not anymore
  • Naz- This Is Our Youth
    • easy, liar, new friends
  • Siena- The Blair Witch Project
    • emotional
  • Kaitlyn- Aida
    • princess, pharaoh, sailing
  • Erin- Greatest Play Ever Written
    • fig newtons, sums up marriage
  • Jacob- Mad Men
    • metaphor in the fridge, family
  • Liza- Enigma
    • didn't want to love you, heart in your pocket 
    • good, emotional
  • Larissa- Summer and Smoke
    •  love as kids, questions
    • good soft accent
  • Scarlett- Crimes of The Heart
    • good morning, run away with him
  • Ryan- Star Spangled Girl
    • born 150 years too late
  • Jessica- Laughing Wild
    • life, people, tuna fish can
    • overdone, pick another
  • Maddie- New Girl
    • Jess to Nick's uptight girlfriend
  • Monica- Overruled
    • dinner, husbands
  • Matt- The Laramie Project
    • need a scene, parents come to everything, homosexual
  • Rodrigo- Walking Dead
    • your way, fight
  • Carter- Hurricane Season
    • basketball playbook, coach to players
  • Mico- Good Will Hunting
    • art, Michelangelo, you wouldn't know, cancer
  • Me- And Turning, Stay 



It's important to read monologues first to know if it's a good fit for you and what you're aiming for.

Saturday, September 12, 2015

Observation 9/12

I saw a girl waiting outside Yogurtland for 15 minutes. She was just sitting at a table and looking around, people watching, and checking her phone periodically. Then a guy walks up like "Sup, babe. Sorry I'm late" and she replies "It's okay, I just got here like a minute ago." And they walked into Yogurtland.

This just represented all girls to me. When I saw her lie to him about not waiting 15 minutes for him, I realized a lot of people do this. They lie like this to make people (maybe themselves) to feel better. Or they just don't want to start a fight over a little thing that should mean a lot more. People's time is valuable and if they're choosing to spend it with you and you aren't there, that's sad.

This was just an interesting observation of human (female) behavior.

And Turning, Stay by Kellie Powell

I read this play mostly for my character research of Amy for my first monologue. But it was very interesting and modern. The whole play is very short and mainly consists of the tumultuous relationship between Amy and Mark. I really think that Amy is overreacting to a small thing that Mark did. They danced together once and Amy thinks they're boyfriend and girlfriend all of the sudden. And they have a big group of friends that all chime in on their situation. The girls all seem to be on Amy's side and the guys on Mark's. Anyway, at the end they all relate this poem they read in class to the situation and I guess everything's okay.

I really liked the Amy monologue I did about telling Mark to man up and do something if he likes her. It's full of anger and passion and I love it. That's really the only monologue in the play.

Thursday, September 10, 2015

Class 9/10

Machine: make a machine as a group that moves and makes sounds- but no talking to each other (sat out because of injury)




Played Buffy game (like Mafia)




Tuesday, September 8, 2015

Class 9/8


  • Proactive listener brings attention back to the speaker (Marlon Brando)
  • Learn that:
    • 25% of people watching you will hate you (maybe even before you do anything)
    • 25% will love you
    • 25% are indifferent/apathetic
    • Other 25% come in with an open mind- do your performance for them
Class Intros (part 2):
  • Jacob- writes and performs own music (in a band)
  • Anna- journalist, radio host
  • Maddie- filmmaker, Youtuber
  • Jessica- youngest of 8 kids, oldest is 44
  • Summer- lots of different ethnicities (African, Middle Eastern, etc.), switching to nursing major
  • Erin- switched from Comm. to Music to Theatre
  • Alexis- compulsively steals lighters from parties, learning ASL
  • Tabatha- just watched Harry Potter for the first time
  • Larissa- OCD, accidentally went to Blacks Beach for first date, draws
  • Itzel- filmmaker
  • Siena
  • Liza- works at KPBS
  • Diana- pot head, nudist, steals from restaurants

Saturday, September 5, 2015

A Streetcar Named Desire by Tenessee Williams

I've heard about this play a lot before but had never read it. It was surprisingly good and even relatable even though it was written 60 years ago. This crazy lady Blanche goes to visit her sister Stella and Stella's husband Stanley. At first, she seems normal. She acts innocent and perfect, and is appalled by how her sister lives (working class). Blanche and Stan do not hit it off at all and are suspicious of each other. Blanche falls for Stanley's friend Mitch and they date before he finds out she lied about everything- her age, why she came to visit (she got fired and ousted from her town), her alcoholism, how she used to be a prostitute, among other things. Stella is pregnant and has her first baby, and while she's in the hospital, Stan comes home and rapes Blanche (or so it's insinuated). Blanche goes crazy and thinks a millionaire is coming to pick her up but a doctor from a mental hospital picks her up instead.

There is one monologue of interest- Blanche talking to Mitch about her old lover that killed himself because he cheated and she caught him.

Thursday, September 3, 2015

Class 9/3

To clear your mind and get into character:

  • Lie on left side
  • Close eyes and picture your favorite color filling up the space
  • Then imagine yourself floating up in a bubble away from everything
  • Imagine your favorite song filling up the bubble- getting louder and fuller as you float down
  • Imagine your bubble going back down to Earth and setting you down in your fetal position
  • Then think about your character in that position- become your character and slowly sit up as your character (physically and mentally)
When figuring out a character:
  • Come up with your story first
  • "Beat up" script
    • Write down your first thourhgs- mark it up good
  • Relate yourself to the character
A page I found about "beats":

http://www.screenwriter-to-screenwriter.com/2009/06/what-technically-is-a-beat-in-a-screenplay/

Class Intros:

  • Nate- always happy and smiling
  • Martha- passionate
  • Kaitlyn- talks a lot
  • Lizette- Youtuber (more outgoing)
  • Miko- Dsney lover, president of improv club
  • Carter- loves old music (jazz), and makes own music
  • Kat- make-up lover, former Youtuber
  • Rodrigo- cross country and football
  • Monica
  • Scarlett- sleep talker/screamer
  • Nazanine (Naz)- wants to be a lawyer, Middle Eastern parents (Iran)
  • Matt- Dodgers fan from birth, has a twin brother
  • Jesse
  • Ryan 
  • Autumn- lifeguard

Tuesday, September 1, 2015

Oedipus the King by Sophocles

This was an overall deeply disturbing play. Oedipus is trying to solve the mystery of who killed the former King. In the end, it turns out it was him and the King was his father and the Queen (his wife) is his mother. There was a prophecy that the King and Queen's son would kill his father and marry his mother and it came true. They thought they had solved the problem when they sent their son off to be killed, but he was really just adopted. So now flash forward and Oedipus really did kill his father and marry (and have kids with) his mother. But they don't know that he is their son until the very end. The whole play is about Oedipus trying to find the King's killer and failing to see the truth. In the end, they figure it out and his mother kills herself and Oedipus gouges out his eyes.

There really aren't any monologues for women in this.

Class 9/1

Warm-Ups

  • Massage jaw, temple, eyebrows, under eyes (inward, not outward)

Monologues

  • Use your body as your character would
  • No huffing/sighing- sounds like you forget lines
  • Be convincing
  • Use your whole voice
  • Don't use random gestures (even as physical connection to your character)
  • Don't do monologues that are overdone
  • Think about who you're talking to in the monologue instead of to a room of people (movement will become more natural)
  • Don't lock people's eyes (look over heads)
  • Can cut up monologues (except Shakespeare)
  • Be comfortable with silence/pauses
  • Turn nervous energy into the character
  • Connect the top of your body to the bottom
  • Pauses for laughter
  • Mugging (getting the audience to laugh on purpose) vs. deadpan (funny, but the character doesn't realize it)
  • From the beginning, make it seem like it's already the middle of the scene/dialogue
  • Connect voice quality to natural gestures
  • When listing things, make them sound different (variety)
  • Picture what you're talking about
 Reflection